Noir et blanc
Kicking off things on the last day, Sadaf Malatere opened up the day with a chic collection that was sans any unnecessary drama. The fourth monochromatic collection during the fashion week was still a-fresh due to its minimal and sleek approach in design. Accompanied along with controlled pretty chinoiserie cherry blossom details that just hinted and teased at points rather than going OTT over the garment. The pretty collection started off with clean lines it successfully evolved into fringed accented ensembles that broke the whole linear monotony but without looking out of place. The effortlessly chic collection had a range of fun basics, dresses, separates as well as some fun fringed pieces. The collection was restrained and well made (shouldn’t we stop mentioning it since it is the basic pre-requisite). The collection with its part french part jazz references scored majorly due to its control that it exercised. Tres chic.
Bringing back Surprises
Maheen Karim’s latest offering was luxe, glam and more. While the collection was not without its share of uh-oh moments, the vibe surely was high and the designer managed to deliver what she is known for. While a shaky start with a heavly embellished ensemble in blush pink… the things progressed for the better. A few DVF references in matt golds were hard to miss…A departure of sorts,not totally, from her usual serving of prints, Karim focused more on embellished details in moderation and some of her signature laid back luxe and resort vibe. Though I expected the sole print she presented to be much more brighter in print, but nevertheless suited the winter season for which the collection was presented. The front short-back long tunic with glitter hot pants was rather an odd inclusion in the presentation. The presentation did manage to spring back some surprises (pun intended) and peaked most at the red jumpsuit with a deep cross over back, the black gown with gilded filigree detail that continued on the a fun cutout back that was unusual and sensuously luxe. Another one that stood out in the collection was a wrap drape that gathered up front. A good showing.
After two successful pret runs earlier this year, Nida presented a Renaissance inspired collection moving away from the whites and pastels of summer, in an attempt to score a hattrick. She did manage to get halfway there. There was no dearth of fun and innovative renaissance inspired prints at Nida’s show in deep rich tones coupled with handworked embroidery. However she faltered on many counts in terms of silhouette and how the print and embroidery were coupled together, as well as separates that were put together. The metallic jacket with gharara, the black shrug, top and the layered gharara with different levels had some odd print pairings and looked more gypsy and carried a bit Ram Leela dejavu. Same was the case with saris paired with jacket (nothing wrong with that, I for one love the combo) with the two separates, not being in sync, and I thought she almost got rid of that front open floor length layered anarkali. While she started off strong with some interesting pieces thing went for a bit of an off balance half way through, but managed to end well with a printed slouched dress. Loved the black self printed pants with laser cut top and a tunic over a sariesque gown. Also a short printed shrug belted over a mouse grey gown (not an easy color) were some of the highlights of the show. Some great prints (as expected) but I wished they were utilized better.
*Images courtesy Tapu Javeri and his team