Many of the men actually proved that men have it easier than women on the big Oscar Red Carpet. While Chris Pratt shone in a Tom ford giving hope to all medium built men (take notes, its all in the good fit for a classic suit), Steve Carell was bespectacled … literally. While Common’s suit was a bit too snug, Redmayne and Elgort looked like twins in matching suits (and the looked good), Adrian Brody moving around looking like a waiter and Jared Leto was classic Jared Leto wanting to be different… but while I was undecided on it (still hasn’t grown on me he looked like a lilac love child of Katy Perry and Zoey Deschanel) , his outfit featuring in the LEGO song did put me a bit off. It was a pretty classic affair for men with some twists.
With an interesting burgundy choice for the red carpet, David Oyelowo might have lost out on the best actor nomination, but won over being one of the best dressed gentlemen on the red carpet. The DnG tux, with a deep neck vest and bow tie in similar color to match might feel a bit much too much for some, but Mr Oyelowo works the hell outta that suit without being overwhelmed. Offseting the look by a small brooch, the SELMA actor knows how and where to add in the perfect details.
A regular on the list, the Best winner of the night shone in a navy and black Alexander Mcqueen suit. Do I even need to say why is he on the list.
50 SHADES OF NEIL PATRICK HARRIS
While I hated his final look of blue velvet jacket with that big flower monstrosity (ewww), NPH had some pretty decent moments during the night. His black introductory suit on point perfectly classic and tailored. His burgundy jacket was fun contemporary and the whole look was a pitch perfect with black pants and shoes. But it was his red carpet grey suit that made everyone took up notice. The couple NPH-David Burtka was one of the best dressed couples on the red carpet, a masterclass of sorts on how couples should be. Him in his grey suit and David in an ivory dinner jacket and black pants look was on point Oscars. One doesn’t need to push in classics too much and hey its the Oscars night, be formal for once…if it ain’t broke, don’t overdo it.
The newly hitched Cumberbatch hit all the right notes with the ivory-white dinner jacket and shirt combo that Adrian Brody did not. The best actor nominee looked on point classic and cleaned up well for the ceremony. The shawl collar ivory jacket with black accessory details worked well for the ceremony. The brit who was against a fellow brit, was a strong contender might have lost out on the awards but was winner all the way on the red carpet.
There is something….scratch that….everything about a good fit of a tux that makes all the difference. Michael Keaton nails his take on the classic tux in a Ralph Lauren number that makes him look slick, smart and chic in every possible way. Reducing his age, the suit complete with a white pocket square was as classic as they come. A good fit people… A good fit… can’t stress how much that matters.
Having a twinsie moment with the best actor nominee, Ansel too picked a similar navy and black tux for the big awards night (probably his first). Navy has become this staple suit and tux formal pick for the intelligent man. The Fault in our stars actor’s Prada blue mohair, one-button tuxedo with a contrasting black silk shawl collar unlike Redmayne’s formal notch, kept the whole look age appropriate without going all too serious for the night. The black bowtie and shoes complimented the look perfectly. The star in the making made all the right moves so why pick one of the two navy red carpet strutters.
That gentlemen is what a well tailored tux can do for your body. Going the classic route in a Giorgio Armani black double-breasted peak-lapel tuxedo Chris Pine with his hair side parted and a stubble to boast looked every inch impeccable in a suit that could have gone overwhelmingly wrong. He looked slick, smart and sharp on the red carpet and definitely caught many eyes… now you know the reason why!!
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Met Gala 2014 exhibition titled ‘Charles James: Beyond Fashion’ had the classic theme of ‘white tie and decorations’. Since women usually do tend to make an effort by incorporating the designer’s style into their wardrobe, it was men who were thrown in a toss to get ready for the big night. The classic theme had its fair share of rebels and those who went all out at the theme whole heartedly. Many designers pushed envelopes in their own styles while being inspired by the construction master in whose honor the whole exhibition was taking place. Others went very off key but its fun to see how the themes are interpreted. My picks this year (in random order):
The diva DITA VON TEESE chose the designer who has always been inspired by Charles James and known for his impeccably constructed gowns. Zac Posen had Dita Von Teese as his muse in a blush mermaid petal gown with red details merging into the red carpet. The detail being similar to that of James, Zac Posen paid homage to the construction master in his own way. Accenting it off with red details, including the red Roger Vivier clutch, and those waves, the burlesque dancer was quite the bewitching sight on the red carpet. Glamorous, thematic, experimetal, she ticked all the boxes.
Charlize Theron‘s successful run continued at the red carpet of MET. The woman has been consistently delivering one after the other good looks that are chic and MET night was no different. The Dior gown with criss cross black and white details on the side fit her like a glove. The modern take on ‘American’ elite eveningwear, the gown was perfect for the occassion while referencing James. The master stroke was the tuxedo jacket that brings in the unexpected element of the male theme into womenswear. It was hip, chic and she styled her in-between length brilliantly showing off her Fred Leighton jewels. She finished it off with jimmy choo sandals.
As a designer pushing the boundaries, in an aesthetic manner, is as important. That is precisely what Alexander Wang did representing Balenciaga on the red carpet with muse Kristen Wigg (woohhooo!! wat an unexpected… i almost expected Carey Mulligan). The ensemble that felt more Wang than Balenciaga, was a high-low hem black top with black pants. What was fun was Wang through his minimally chic n uber modern constructional sensibilities paid respect to Charles james in his own way. The top was immaculately constructed and while witholding the shape, it felt like someone had sliced through a ball gown. The slick back hair and smoky eyes gave miss wigg a polished and edgy look, far removed from her comic demeanor.. Love
Blowing everyone out of water was model Karolina Kurkova in a blue Marchesa gown. The impeccably constructed gown followed the theme to a T with classic American 50’s flair with a modern twist to it. Featuring painted flowers with some of them going 3d, the layered gown with its petal shapes took floral inspiration from James.. It could have easily drowned miss Kurkova, but the supermodel shows you why she is one of the best in the business. Accessorizing with just the neck piece, this was poetic construction.
Bringing high street to high fashion was Anne Hathaway in Calvin Klein. The crop top has made quite the appearance in the high street circles and bring that trend with her A game without any doubts was Miss Hathaway in a two piece column ensemble in red at the MET gala. The crop top bared just enough midriff without it being too much. She played up tonal color block with ruby red shoes and a hexagon ruby red clutch. She finished off with her dark pixie hair side swept and dangling earrings perfectly framing her face. Delicate and fierce at the same time.
Olsen twins, one in vintage Chanel, other in military inspired vintage Ferre, cut quite the modern picture on the red carpet. Androgynous in their approach of gowns, both the sisters had pulled back their hair for some serious fashion to the red carpet. In their gowns they looked smart, chic, no nonsense young women. The young entrepreneurs each one accessorized it minimally but differently. While one had a neckpiece with her wide collar pinstripe Chanel gown, other one had just pearl earrings with her gown.
Hailee Steinfeld literally grew this night and how!! In a Prabal Gurung black and white gown, the young starlet looked all grown up woman from the last time I saw her in Marchesa at Oscars. Prabal Gurung with his gown spun a young modern take on the gown, while paying homage to the designer in exhibition. The racer back top part combined with the whole skirt with high low hem tease to show off her shoes was a brilliant move. Choosing black and white, his muse worked that gown hitting the ball out the park every minute. With her hair, middle parted and in a chignon she finished the look with Van Cleef & Arpels jewellery. It was young, hip, sporty and classic all at the same time.
Zac Posen was quite the popular designer apart from Oscar dela Renta on the Red Carpet, possibly because of his constructions hitting quite close to Charles James. Maggie Q was no different opting for the gown from the young designer. What made Maggie Q stand out was the choice of her gown, along with the way she carried it lending a certain aristocratic air to the whole look. The black gown that featured extensions around hip, that extended downward, was styled minimally with a severe parted hair bun, smoky eyes and minimal jewels. Full points to nailing the look.
The co-chair herself,Sarah Jessica Parker graced the occasion in an Oscar dela Renta gown, complete with gloves and an updo for the night. The designer took a leaf from Charles James book and recreated the whole look, however addeded in a checkered back panel with his signature, lending a contemporary light hearted take on the look. The petal gown in ivory and black was as classy evening wear as it would go. I love how Miss Parker goes all the way into the theme every year and comes out trumps without taking herself too seriously. The double beehive with flowers completed the whole look.
Was literally torn between Zoe Saldana and Anna Kendrick for this last spot, but then again, who’s gonna kill me for including both.. no one. Marc Jacob’s date Zoe Saldana made a statement with a black and white halter with a plunging neckline. The lower part of the gown flared into a controlled bubble which could have gone either way but thanks to the designer it doesn’t. Credit to Ms Saldana for keeping the makeup contemporary without needing a pop of color. The berry lips and bronzed makeup were minimally perfect. Anna Kendrick on the other hand in J. Mendel cut the pretty constructed picture in a black and white gown with a cut out. Not as dramatic as others, but the gown with its slick construction of bustier with a peek a boo of the mid riff was just enough for her to score major points going the modern classic way. Accessorizing with just diamond studs and side parted hair, this woman definitely turned heads that night.
Usually at MET the women tend to follow the theme set by the exhibition but this time around we did see some rebels. However the theme for the red carpet set by Anna Wintour set many men out there in a tizzy with WHITE TIE & DECORATIONS. Stepping up their game, the men did not disappoint.
Wearing Tom Ford to the gala, Bradley Cooper followed the theme literally to the T. He had the Tailed coat, the white tie and vest, tailored pants… and women couldn’t get enough of him. He’s forgiven for the onyx, but would have preferred a much more polished look but its maybe his next movie’s look. Finished it off with white pocket square.
Even though his partner did not go the route, Jim Parsons went the whole way in his tux by Brooke Brothers. The white on white bowtie with shirt and vest and the tailcoat was complete in sync with the theme. What was fun was the floral lapel pin that both sported. Cute and quirtky.
Let’s just not even… Hawtness in a shot. Tom Ford in tom ford and Benedict Cumberbatch in Ralph Lauren.
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