Many of the men actually proved that men have it easier than women on the big Oscar Red Carpet. While Chris Pratt shone in a Tom ford giving hope to all medium built men (take notes, its all in the good fit for a classic suit), Steve Carell was bespectacled … literally. While Common’s suit was a bit too snug, Redmayne and Elgort looked like twins in matching suits (and the looked good), Adrian Brody moving around looking like a waiter and Jared Leto was classic Jared Leto wanting to be different… but while I was undecided on it (still hasn’t grown on me he looked like a lilac love child of Katy Perry and Zoey Deschanel) , his outfit featuring in the LEGO song did put me a bit off. It was a pretty classic affair for men with some twists.
With an interesting burgundy choice for the red carpet, David Oyelowo might have lost out on the best actor nomination, but won over being one of the best dressed gentlemen on the red carpet. The DnG tux, with a deep neck vest and bow tie in similar color to match might feel a bit much too much for some, but Mr Oyelowo works the hell outta that suit without being overwhelmed. Offseting the look by a small brooch, the SELMA actor knows how and where to add in the perfect details.
A regular on the list, the Best winner of the night shone in a navy and black Alexander Mcqueen suit. Do I even need to say why is he on the list.
50 SHADES OF NEIL PATRICK HARRIS
While I hated his final look of blue velvet jacket with that big flower monstrosity (ewww), NPH had some pretty decent moments during the night. His black introductory suit on point perfectly classic and tailored. His burgundy jacket was fun contemporary and the whole look was a pitch perfect with black pants and shoes. But it was his red carpet grey suit that made everyone took up notice. The couple NPH-David Burtka was one of the best dressed couples on the red carpet, a masterclass of sorts on how couples should be. Him in his grey suit and David in an ivory dinner jacket and black pants look was on point Oscars. One doesn’t need to push in classics too much and hey its the Oscars night, be formal for once…if it ain’t broke, don’t overdo it.
The newly hitched Cumberbatch hit all the right notes with the ivory-white dinner jacket and shirt combo that Adrian Brody did not. The best actor nominee looked on point classic and cleaned up well for the ceremony. The shawl collar ivory jacket with black accessory details worked well for the ceremony. The brit who was against a fellow brit, was a strong contender might have lost out on the awards but was winner all the way on the red carpet.
There is something….scratch that….everything about a good fit of a tux that makes all the difference. Michael Keaton nails his take on the classic tux in a Ralph Lauren number that makes him look slick, smart and chic in every possible way. Reducing his age, the suit complete with a white pocket square was as classic as they come. A good fit people… A good fit… can’t stress how much that matters.
Having a twinsie moment with the best actor nominee, Ansel too picked a similar navy and black tux for the big awards night (probably his first). Navy has become this staple suit and tux formal pick for the intelligent man. The Fault in our stars actor’s Prada blue mohair, one-button tuxedo with a contrasting black silk shawl collar unlike Redmayne’s formal notch, kept the whole look age appropriate without going all too serious for the night. The black bowtie and shoes complimented the look perfectly. The star in the making made all the right moves so why pick one of the two navy red carpet strutters.
That gentlemen is what a well tailored tux can do for your body. Going the classic route in a Giorgio Armani black double-breasted peak-lapel tuxedo Chris Pine with his hair side parted and a stubble to boast looked every inch impeccable in a suit that could have gone overwhelmingly wrong. He looked slick, smart and sharp on the red carpet and definitely caught many eyes… now you know the reason why!!
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It was rather surprisingly a lackluster affair at the Oscars this year. Women dressed way better at the Globes. While Jessica Chastain went a good jewel tone but the sad sash with embellished bodice maternity look and her fiery hair into tamed into straight school girl gone stepford housewife hair, What happened to you between Globes and Oscars??? Attempting a miss goody two shoes look??? Best Actress winner Julianne Moore disappointed in something that ‘Karl made for her’…. Woman … you should have stuck to Givenchy or Tom Ford… they gave you such memorable moments at Globes and SAG… the squashed sequined flowers rows was rather meh!! Almost the worst gown ever by a best actress winner….Even Cate Blanchette was just hanging around the outskirts looking bored and barely bringing in her red carpet game.
Jared Leto’s outfit was copied by the Lego singers and it wasn’t as awesome on them. Scarlet Johansson and Lupita Nyongo were in competition with each other for the role of the new sea witch… someone might as well cast them as two bad ass sea witches fighting off each other…who needs Ariel, its Sea Poison Ivy versus the Oyster Queen of Pearls (Lupita’s Vanity Fair Party Calvin Klein look was flawless) . Laura Dern‘s gown as much fun as it was, she did not need to ruin the whole look by that styling going all Game of Thrones and making it go all armoury.. Felicity Jones, almost had a moment…her Globes one still by far the best look for her this award season. Zoe Saldana, a little personality wouldn’t hurt, you had such a good gown with subtle graphic details. And what to say about Gwenyth Paltrow… why is she even invited to Oscars anymore… Darling they don’t hand out awards to trying-to-look-like-when-i- won.
Here are my picks for the best dressed women of the night.
After Naomi Watts at Globes, it was Jennifer Hudson’s turn to try on the cheery yellow color on the red carpet. The butter yellow gown from the Romona Keveza Spring 2015 collection with half peplum and tiny accent belt was classic chic, while the color adds a splash of fun to the simple silhouette. The bold emerald and diamond earrings and cocktail ring are a lovely accent, perfectly styling off the gown. Paired with Jimmy Choo ‘Minnie’ sandals she rounded off the look. Jennifer’s sleek hair, flawless skin and subtle makeup complete the look. She changed up with another smashing look with a black velvet gown, dangling earrings and deep magenta lips was as perfect for the night as the red carpet look. From cheery to sultry, this chic rocked it all.
The usual sultry siren on the red carpet went for a much more prettier and princessy moment for her big night at the Oscars. The Layers of romantic nude-hued tulle were speckled with monochromatic beading from the deep cut neckline, dripping all the way past the waistline. The look was styled to chicest perfection via the most slim belt, a matching clutch by Salvatore Ferragamo and simple diamond drop earrings. What was a masterstroke was the high ponytail that added the perfect contrasting playful element, balancing out the high drama dress. A pink pout and she was the princess of the night.
After Jessica Chastain’s unusual bronze choice at the Globes, it was Emma’s chartreuse pick made for the unusual perfect red carpet moment this Oscar season. The custom long-sleeved Elie Saab couture gown with illusion detailing, an open-back and chartreuse beading worked perfectly for the her skin tone accented off with her hair. Christian Louboutin ‘Gardnera’ sandals compliment the gown perfectly. The flawless look was finished with her wavy side swept bob and deeply pigmented coral matte lips were perfect accent and fun take on the red carpet.
If there was one dress that said ‘ delivered a baby and the bitch is back baby’, it had to be Rosamund’s Oscar red carpet moment. The crimson Givenchy Couture number created a visual spark on the red carpet with its dimensional, intricate embroidery sexily cinched in with a visible corset. What is intriguing about this look is its in sync with her nominated character as well as despite being embroidered overall, it does not overwhelm her. Finishing her sassy red carpet look, in minimal fashion—dainty Lorraine Schwartz earrings, alongside a swept-back bun and barely-there rose-tinged makeup were all she needed.
Chanelling her inner sultry boudoir, starlet Margot Robbie looked smoldering in Saint Laurent on the red carpet. Saint Laurent is becoming the go to designer for the young guns providing edgy elegant outlook. The subtly sexy Saint Laurent gown with a plunging neckline and sheer sleeves channeled her 70’s glam actress look. The Van Cleef & Arpels necklace featuring rows of diamonds, sapphires and a dramatic tassel was a perfect accent to the black draped gown. Styling the look to a T, flawless skin, a matte red lip, gorgeous brows and a slick blonde bob made her one of the best dressed ones.
Naomi Watts is one actress who is always noted for her sartorial choices on the red carpet. Decked in Armani Prive, the black, white and grey brick like embellished brick pattern was fresh in Naomi-esque manner. With halter neckline that had delicate straps and the black, beaded cutout along the sides of the gown was a modern and chic take on the cutout trend. Styling with oversized inky-blue and diamond drop earrings and a black Rauwolf clutch. Soft waves and a deep berry lip topped off the vampy look to perfection.
The fierce Anna Kendrick wore a custom Thakoon coral gown with a keyhole accent and diamond collar. The color and drape of the gown offered an elegant look. The blush of her cheeks and lips are the perfect with her gown, and the slightly smokey eyes are a dream compliment. The hair is twisted classic updo with a slight swept. Diamond earrings and a cocktail ring continued the classic glamour theme.
SPECIAL MENTION: LADY GAGA
Lady gaga might have looked her usual self on the red carpet, it was her performance look that won me over. What I always love about GAGA is she looks her best when she is at her neutral best and this was THE look. With a white gown, grey hair and neutral look, this was probably her best look for me. It’s natural, fresh and she CAN sing.
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